Many of us associate a certain sound of music with fantasy films and series: large symphony orchestra, many melodies, complex orchestrations.
But does this always apply to everything?
The aim of this lecture is to take a closer look at the soundtrack behind the dialogues and sound effects of swords and dragons and to train the ear to perceive more of the music than the obligatory “Main Theme” that is presented to us in the end credits.
Because there is no “generic fantasy sound”. Different composers write different music for different projects. This talk will look at these approaches and ask questions like: